Traduction de «représentant d'auteur » (Français → Anglais) :

In practice, those organisations operate in various legal forms such as associations, cooperatives or limited liability companies, which are controlled or owned by holders of copyright and related rights or by entities representing such rightholders.

This Directive, while applying to all collective management organisations, with the exception of Title III, which applies only to collective management organisations managing authors’ rights in musical works for online use on a multi-territorial basis, does not interfere with arrangements concerning the management of rights in the Member States such as individual management, the extended effect of an agreement between a representative collective management organisation and a user, i.e. extended collective licensing, mandatory collecti ...[+++]ve management, legal presumptions of representation and transfer of rights to collective management organisations.

The question is as follows: With respect to Bill C-32, An Act to amend the Copyright Act: (a) how was this Bill developed; (b) did the government request any specific studies for this Bill and, if so, (i) what was the subject of these studies, (ii) what conclusions did they reach, (iii) what recommendations did they put forward, (iv) what methodology was followed in the studies, (v) on what date were the studies requested, (vi) on what date were the studies submitted, (vii) do the studies contain quantitative analyses (are they supported by data), (viii) what are the quantitative data and in what context are they presented; (c) did the government request an analysis of the Bill’s economic impact on creators’ income and, if so, (i) what op ...[+++]tions did the analysis offer, (ii) what data were collected as part of the analysis, (iii) what conclusions did the analysis reach, (iv) were the ministers of Canadian Heritage and Industry Canada aware of this analysis before it began, (v) on what date was the analysis requested, (vi) on what date was the analysis tabled, (vii) who or which department requested the analysis, (viii) who or which department conducted the analysis, (ix) what guidelines were issued regarding the analysis, (x) to whom or to which department was the analysis submitted, (xi) did the Minister of Canadian Heritage read the analysis after it was submitted, (xii) did the Minister of Industry read the analysis after it was submitted, (xiii) was a minister or an employee of a minister involved in the analysis, or did a minister or an employee of a minister interact with the researchers at any time during the analysis, (xiv) what methodology was followed in the analysis, (xv) did the author(s) of the analysis state the methodological considerations or limitations, either in writing or verbally, (xvi) what are the methodological considerations or limitations stated by the author(s) of this analysis, (xvii) does the analysis contain a quantitative component (is ...

It is necessary to introduce arrangements ensuring that an unwaivable equitable remuneration is obtained by authors and performers who must remain able to entrust the administration of this right to collecting societies representing them.

These witnesses were mainly representatives of creators, and the Media Content Coalition, including the following associations: the Canadian Association of Broadcasters; the Canadian Broadcasters Rights Agency; the Canadian film and Television Producers Association; the Copyright Association of Canada; representatives of creators in Quebec, i.e. SOCAN, the Society of Composers, Authors and Music Publishers of Canada, and SACD, the Société des auteurs compositeurs dramatiques.

2. For the purposes of this Directive, the expression "rights-management information" means any information provided by rightholders which identifies the work or other subject-matter referred to in this Directive or covered by the sui generis right provided for in Chapter III of Directive 96/9/EC, the author or any other rightholder, or information about the terms and conditions of use of the work or other subject-matter, and any numbers or codes that represent such information.