Traduction de «Canadian Film and Television Production Association » (Anglais → Français) :

Canadian Media Producers Association [ CMPA | Canadian Media Production Association | Canadian Film and Television Production Association ]

Canadian Film and Television Association [ CFTA | Association of Motion Picture Producers and Laboratories of Canada ]

Association of Canadian Film and Television Producers

European Guarantee Fund to Promote Film and Television Production

[53] (i) credit lines (or "global loans") from the EIB to the specialised banking sector for the funding of small and medium-sized enterprises (SMEs) in audiovisual creation, audiovisual technology or the performance of subcontracting in this sector; (ii) medium- and long-term funding by the EIB, in cooperation with the banking sector, of infrastructure investments by large private or public television, production or audiovisual distribution groups; (iii) financing of sp ...[+++]ecialised venture capital funds via EIF holdings; and (iv) development of joint EIB Group and European Commission actions in favour of cultural creation or the development of the film or television industry (finance training sessions, cooperation between European distributors, etc.).

Further promoting tools to improve access to EU works online, including the creation of ready-to-offer catalogues of European films in order to give Video-on-Demand (VoD) services a well curated catalogue of films from different producers, the development of licensing hubs to facilitate the licensing of works in countries where they have not been released in cinemas or where there is no national distributor; and a larger use of standard identifiers of works.The use of common identifiers will help ...[+++]find rights holders more easily and facilitate licensing; Promoting wider access to EU works, and address linguistic barriers through more efficient funding subtitling and dubbing (including an online repository); investing in a European aggregator so that people can find more easily a legal offering of films online; promoting the use of data and automated tools for content recommendation, in view of developing and enlarging audiences for European works; working with film industry to promote the discoverability of European films and exploring joint promotion strategies for European co-productions; and funding in 2017 catalogues of European films for educational purposes to present the diversity and quality of European films to young audiences. Exploring new business models, starting with the EU animation sector by discussing how animation films and television animation can travel even better and discussing how the sector can scale up.

This includes working with industry to streamline licensing practices and industry agreements for more sustained use and wider availability of European works; investing in online tools for the legal digital distribution of European works in countries where they have not been released in cinemas or where there is no national distributor; supporting a catalogue of European films to give VOD services a well curated catalogue of films from different producers; and promoting interoperable standard identifiers for seamless and reliable identification of works. Promote wider access to EU works, and address linguistic barriers through more ef ...[+++]ficient funding subtitling and dubbing (including an online repository); investing in a European aggregator so that people can find more easily a legal offering of films online; promoting the use of data and automated tools for content recommendation, in view of developing and enlarging audiences for European works; working with film industry to promote the discoverability of European films and exploring joint promotion strategies for European co-productions; and creating and funding in 2017 a catalogue of European films for educational purposes to present the diversity and quality of European films to young audiences. Exploring new business models, starting with the EU animation sector by discussing how animation films and television animation can travel even better and discussing how the sector can scale up.

13. Points out that the financing, production and co-production of films and television content depend to a great extent on exclusive territorial licences granted to local distributers on a range of platforms reflecting the cultural specificities of the various markets in Europe; that being so, emphasises that the ability, under the principle of freedom of contract, to select the extent of territorial coverage and the type of distribution platform encourages ...[+++] investment in films and television content and promotes cultural diversity; calls on the Commission to ensure that any initiative to modernise copyright is preceded by a wide-ranging study of its likely impact on the production, financing and distribution of films and television content, and also on cultural diversity;