Traduction de «Negotiating with an artist » (Anglais → Français) :

agree terms with artists | negotiating with an artist | negotiate with an artist | negotiate with artists

broker artistic productions | come to an agreement on artistic productions | negotiate artistic productions | negotiating artistic productions

describing your artistic aspirations in relation to artistic trends | explain your artistic aspirations in relation to artistic trends | describe your artistic aspirations in relation to artistic trends | detail your artistic aspirations in relation to artistic trends

international negotiations [ negotiation of an agreement | negotiation procedure | opening of negotiations | renegotiation | state of negotiations ]

artistic profession [ actor | artist | composer | cultural worker | dancer | film-maker | musician | painter | photographer | sculptor | singer | Artists(ECLAS) | artists(UNBIS) | cultural personnel(UNBIS) ]

negotiated procedure without prior call for competition | negotiated procedure without prior publication | negotiated procedure without prior publication of a call for competition | negotiated procedure without prior publication of a contract notice

directives for negotiation | directives for negotiations | negotiating directives | negotiation directives

negotiated procedure after prior publication of a contract notice | negotiated procedure with prior call for competition | negotiated procedure with prior publication | negotiated procedure with publication of a contract notice

literary and artistic property [ artistic and literary property ]

Negotiation Terms of Separation Act [ An Act to provide for a national referendum to authorize the Government of Canada to negotiate terms of separation with a province that has voted for separation from Canada ]

Notes that international agreements have binding force and an impact on EU legislation, and points to the need for negotiations to be transparent throughout the entire process, implying that the institutions should publish the negotiating mandate conferred on the EU negotiator without undermining the EU’s negotiating position; considers that documents related to international agreements should be public in principle, without prejudice to legitimate exceptions and without undermining the trust necessary between the ...[+++]parties concerned to achieve effective negotiations; regrets that the Commission and the Council routinely classify all documents relating to negotiations, thereby limiting citizens’ access to information; maintains that the public should be given access to all relevant negotiating documents, including those already agreed on, with the exception of those which are considered sensitive, with a clear justification on a case-by-case basis, in accordance with Article 9 of Regulation (EC) No 1049/2001.

In its conclusions on mobility information services for artists and for culture professionals , the Council confirmed the importance of the mobility of artists and cultural professionals for the Union and for achieving its objectives within the Europe 2020 Strategy, and called on the Member States and the Commission, within their respective spheres of competences and with due regard to the principle of subsidiarity, to facilitate the provision of comprehensive and accurate information to artists and cultural professionals seeking to b ...[+++]e mobile within the Union.

2. In the case of a negotiated procedure where, for technical or artistic reasons, or for reasons connected with the protection of exclusive rights, the contract can be awarded only to a particular economic operator, the institution may decide not to exclude the economic operator concerned on the grounds referred to in points (a), (c) and (d) of the first subparagraph of paragraph 1, if it is indispensable to do so in order to ensure the continuity of service of the instit ...[+++]ution.

39. Considers that the mobility of artists and the arts in the Euro-Mediterranean area is hindered by numerous obstacles, that vary according to country and region, and that are linked not only to difficulties in obtaining visas but also to the lack of status that artists face and to the conditions they face as creators of artistic works, particularly in southern countries; considers that a Mediterranean macro-region would serve to promote mutual recognition of the status of artists, offer opportunities to reflect on mobility and optimise the use of training programmes, networking and the free movement of cultural actors, artists and wo ...[+++]rks;