Traduction de «redevance d’exploitation d’un enregistrement sonore » (Français → Anglais) :

(a) “document” means any content whatever its medium (written on paper or stored in electronic form or as a sound, visual or audiovisual recording) concerning a matter relating to the policies, activities and decisions falling within the institution's sphere of responsibility; information contained in electronic storage, processing and retrieval systems (including external systems used for the institution's work) shall constitute a document or documents if it can be extracted in the form of one or more printouts or electronic-format copies using any reasonably available tools for the exploitation ...[+++] of the system;

ADISQ also wishes to reaffirm the importance of the beneficial effects of the private copy regime for Quebec sound recording producers, especially since ADISQ, let's not forget it, fought for this regime side by side with its partners in the Canadian music industry for over 10 years (1040) With respect to the Neighbouring Rights Treaty, the international community reached a consensus on the need to recognize a right to authorize or prohibit the act of making sound recordings available in order to manage access to sound recordings on the Internet.

In the opinion of ADISQ, those measures are an interdependent web whose common objective is to allow sound recording producers to regain minimum control, in the Internet context, over the use of their sound recordings, while respecting the traditional balances underlying the WIPO treaties in the area of copyright.

We would emphasize that this right is essential for the managed use of sound recordings on the Internet, and the uncertainties that led to the emergence of entities like Kazaa and Morpheus must be eliminated.

(2) The broadcasting undertaking must record the dates of the making and destruction of all reproductions and any other prescribed information about the reproduction, and keep the record current (3) The broadcasting undertaking must make the record referred to in subsection (2) available to owners of copyright in the sound recordings, performer's performances or works, or their representatives, within twenty-four hours after receiving a request (4) The broadcasting undertaking must destroy the reproduction when it no longer possesses the sound recording or performer's performance or work embodied in the sound recording, or at the latest ...[+++]within thirty days after making the reproduction, unless the copyright owner authorizes the reproduction to be retained (5) If the copyright owner authorizes the reproduction to be retained, the broadcasting undertaking must pay any applicable royalty (6) This section does not apply if a licence is available from a collective society to reproduce the sound recording, performer's performance or work (7) In this section, ``broadcasting undertaking'' means a broadcasting undertaking as defined in the Broadcasting Act that holds a broadcasting licence issued by the Canadian Radio- television and Telecommunications Commission under that Act'.

Clause 54 contains a consequential amendment to subsection 68.2(2) of the Act regarding when proceedings for the collection of royalties are to be barred if royalties are tendered or paid by adding a reference to the making available right for performers and sound recorders found at proposed paragraphs 15(1.1)(d) and 18(1.1)(a).